Thursday, November 17, 2011

Haiku Tunnel Poster Movie 11x17 Josh Kornbluth Warren Keith Leah Alperin

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Haiku Tunnel 11 x 17 Inches Style A Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material
When office temp Josh Kornbluth (played, in semiautobiographical style, by Josh Kornbluth) is offered a permanent position as secretary for a high-powered attorney, his entire world begins to crumble. The psychological pressure of commitment proves almost too much to bear, leading him to delay mailing 17 very important letters--an oversight that forces him into an all-night adventure that is simultaneously petty and epic. Kornbluth has gained prominence in the world of solo performance, but this is a fully realized film (albeit one in which Kornbl! uth occasionally talks directly to the camera, offering amusing commentary) that vividly captures the insidious anxiety that office work can inspire. Kornbluth's plump face is engaging; you'll find yourself oddly touched (and a little appalled) by his self-destructive behavior. Haiku Tunnel is a strong contribution to the expanding subgenre of office comedies. --Bret FetzerWhen office temp Josh Kornbluth (played, in semiautobiographical style, by Josh Kornbluth) is offered a permanent position as secretary for a high-powered attorney, his entire world begins to crumble. The psychological pressure of commitment proves almost too much to bear, leading him to delay mailing 17 very important letters--an oversight that forces him into an all-night adventure that is simultaneously petty and epic. Kornbluth has gained prominence in the world of solo performance, but this is a fully realized film (albeit one in which Kornbluth occasionally talks di! rectly to the camera, offering amusing commentary) that vivid! ly captu res the insidious anxiety that office work can inspire. Kornbluth's plump face is engaging; you'll find yourself oddly touched (and a little appalled) by his self-destructive behavior. Haiku Tunnel is a strong contribution to the expanding subgenre of office comedies. --Bret FetzerHaiku Tunnel reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

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Wednesday, November 16, 2011

Hotel Atlantico - Movie Poster - 27 x 40 Inch (69 x 102 cm)

Trick 'r Treat

  • The doorbell rings, the cry goes out: Trick R Treat! But, wait. What s actually going on during this ghostly All Hallows Eve? Something eerie and unexpected. Something splattered and spooky. Something that brings ghouls, vampires and werewolves into the night. Answer the door a shocking surprise awaits. Format: DVD MOVIE Genre: HORROR Rating: R Age: 085391176190 UPC: 
Christine Brown (Alison Lohman) is on her way to having it all: a devoted boyfriend (Justin Long), a hard-earned job promotion, and a bright future. But when she’s forced to make a tough decision that evicts an elderly woman from her house, Christine becomes the victim of an evil curse. Now she has only three days to dissuade a dark spirit from stealing her soul before she is dragged to hell for an eternity of unthinkable torment. Director Sam Raimi (Spider-Man and The Evil Dead Trilogy) returns to the horror genre with a ! vengeance in the film that critics rave is “the most crazy, fun and terrifying horror movie in years!” (Owen Gleiberman, Entertainment Weekly)Touted as a return to Sam Raimi's horror-movie roots, Drag Me to Hell is indeed closer in spirit to the director's Evil Dead pictures than to his Spider-Man films. You got your gypsy gargoyles with rotted dentures, your upchucking corpses, your flexible two-way orifices--yes, Raimi's definitely back in the saddle. There's even a story: a sad loan officer (Alison Lohman) turns down the aforementioned denture-wearing gypsy for a loan extension, which leads to an evil curse and a date in hell in three days' time. A séance, an animal sacrifice, and a session in a storm-tossed graveyard will make the 72 hours pass very nervously, thank you, along with assorted scares. Justin Long plays Lohman's upper-class boyfriend, and Raimi fills the rest of the cast with some unusual and unfamiliar types. Along with the ! giddy horror-comedy that bursts out of the movie every 10 minu! tes or s o, there's also an underlying mood of pity: Lohman's character is something of a hard-luck sad sack, who does enough wrong things to make her seem like a truly abject individual, well outside the heroic model of most multiplex offerings. (Lohman's own little-girl-lost quality adds to this feeling.) But don't let that get in the way of the fun-ride aspects of this goofy enterprise: Drag Me to Hell is a bunch of Z-movie gags wrapped in top-drawer production values. --Robert Horton


Stills from Drag Me to Hell (Click for larger image)
Christine Brown (Alison Lohman) is on her way to having it all: a devoted boyfriend (Justin Long), a hard-earned job promotion, and a bright future. But when she’s forced to make a tough decision that evicts an elderly woman from her house, Christine becomes the victim of an evil curse. Now she has only three days to dissuade a dark spirit from stealing her soul before she is dragged to hell for an eternity of unthinkable torment. Director Sam Raimi (Spider-Man and The Evil Dead Trilogy) returns to the horror genre with a vengeance in the film that critics rave is “the most crazy, fun and terrifying horror movie in years!” (Owen Gleiberman, Entertainment Weekly)Touted as a return to Sam Raimi's horror-movie roots, Drag Me to Hell is indeed closer in spirit to the director's Evil Dead pictures than to his Spider-Man films. You got your gypsy gargoyles with r! otted dentures, your upchucking corpses, your flexible two-way! orifice s--yes, Raimi's definitely back in the saddle. There's even a story: a sad loan officer (Alison Lohman) turns down the aforementioned denture-wearing gypsy for a loan extension, which leads to an evil curse and a date in hell in three days' time. A séance, an animal sacrifice, and a session in a storm-tossed graveyard will make the 72 hours pass very nervously, thank you, along with assorted scares. Justin Long plays Lohman's upper-class boyfriend, and Raimi fills the rest of the cast with some unusual and unfamiliar types. Along with the giddy horror-comedy that bursts out of the movie every 10 minutes or so, there's also an underlying mood of pity: Lohman's character is something of a hard-luck sad sack, who does enough wrong things to make her seem like a truly abject individual, well outside the heroic model of most multiplex offerings. (Lohman's own little-girl-lost quality adds to this feeling.) But don't let that get in the way of the fun-ride aspects of this goofy e! nterprise: Drag Me to Hell is a bunch of Z-movie gags wrapped in top-drawer production values. --Robert Horton

Stills from Drag Me to Hell (Click for larger image)
The doorbell rings, the cry goes out: Trick 'R Treat! But, wait. What's actually going on during this ghostly All Hallows Eve? Something eerie and unexpected. Something splattered and spooky. Something that brings ghouls, vampires and werewolves into the night. Answer the door â€" a shocking! surprise awaits. From producer Bryan Singer (director of X-Me! n and Su perman Returns) and writer-director Michael Dougherty (co-scripter of X2 and Superman Returns) comes a multitale bag of wicked yarns, four cleverly interlocked stories built on Shocktober admonitions like always check the candy and don’t extinguish the jack-o-lantern before midnight. So answer the door now: Experience horror made for today's fright fan.Trick 'r Treat, directed by Michael Dougherty of Superman Returns fame, has a comic book feel but does a nice job of conveying the real things that can spook kids, making for a good Halloween thriller. Composed of four intertwined stories that unfold simultaneously, starting on the same block in Ohio, Trick 'r Treat initially bears some resemblance to John Carpenter's Halloween, in that it focuses on terrors experienced by teens and young, costumed children. As the short tales become increasingly violent and complex, one begins to see that many culprits are responsible, and that a general haunting! of all neighborhood jack-o'-lanterns is the root cause of some gory crimes. For example, in one segment, Emma (Leslie Bibb), against the wishes of her husband, Henry (Tahmoh Penikett), blows out a candle in her jack-o'-lantern and pays dearly as her night unfolds. Meanwhile, Laurie (Anna Paquin of True Blood), a young woman dressed as Little Red Riding Hood, goes to the woods to party with her sister and two girlfriends, attracting a stalker whose smile alone is creepy enough to startle a slumber party crowd. The two stories starring younger kids carry the film, however. In one, elementary-schooler Charlie (Brett Kelly) meets with the demented school principal, Steven (Dylan Baker), who assesses Charlie's love of stealing candy and thrashing pumpkins. At the same time, a witchy nerd named Rhonda (Samm Todd) is invited to join a young gang at an abandoned rock quarry and faces the mean gang leader, Macy (Britt McKillip), after a prank goes awry. "Earlier" or "Later" ! periodically flash onscreen in comic-book typeface, successful! ly direc ting the viewer through time and also relieving some tension that would've built through a single sustained story. In this, light comedy and some downright silliness shine through. All the kids are in great costumes, and the film, overall, has a festive goth look. By the end, one trusts that Trick 'r Treat is really targeting the younger age group that it highlights, yet it contains enough spook to make adults jumpy as well. --Trinie Dalton

Shark Tale (Widescreen Edition)

  • Actors: Will Smith, Robert De Niro, Renée Zellweger, Angelina Jolie, Jack Black.
  • Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC.
  • Language: English, Spanish, French. Subtitles: English, French, Spanish.
  • Region: Region 1 (U.S. and Canada only).
  • Rated PG. Run Time: 90 minutes.
"Bee Movie" is a comedy that will change everything you think you know about bees. Having just graduated from college, a bee by the name of Barry B. Benson (Jerry Seinfeld) finds himself disillusioned with the prospect of having only one career choiceâ€"honey. As he ventures outside of the hive for the first time, he breaks one of the cardinal rules of the bee world and talks to a human, a New York City florist named Vanessa (Renee Zellweger). He is shocked to discover that the humans have been stealing and eating the bee’s honey for centuries. He u! ltimately realizes that his true calling in life is to set the world right by suing the human race. That is until the ensuing chaos upsets the very balance of nature. It is up to Barry to prove that even a little bee can spell big changes in the world.There aren't a lot of choices in a bee's life: a bee attends a few days of school, graduates from college, and chooses a job in the hive that he'll labor at for the rest of his life. Barry (Jerry Seinfeld) is different from his best friend Adam (Matthew Broderick) and all the other bees: he wants to see the world outside the hive and can't begin to contemplate doing the same job for his entire life. Naturally, the life of the "pollen jock" bees appeals to Barry because it's the only job that takes a bee outside the hive and into the larger human world. Once outside the hive, Barry breaks the most sacred bee law and speaks to a human named Vanessa (Renée Zellweger) in order to thank her for saving his life. A relationship ! quickly blossoms and leads Barry to the discovery that humans ! are stea ling honey from the bees and selling it for their own profit. Vowing to hurt the humans the one place they’ll feel it, Barry brings a legal suit against the honey industry and the courtroom drama begins. There are some hysterical moments in the film, as one would expect from a Seinfeld production, and an abundance of one-liners, double-meanings, slapstick humor, and innuendo-laden dialogue that will keep adults guffawing throughout the show. Still, the whole concept of seeing the life of a common pest through non-human eyes is getting repetitive thanks to films like Ratatouille, Flushed Away, Open Season, and Over the Hedge. It should be noted, though, that this first foray into animation by Jerry Seinfeld was four years in production due to its collaborative nature, so its theme may actually have well predated all of the aforementioned films. Children ages 5 and older will love the bees' silly antics, though many of the jokes will go right! over their heads and parents should be cautioned about some mildly suggestive humor. More than just a comical film about the life of one very different honeybee, Bee Movie is a social commentary that pokes fun at human behavior while stressing the importance of doing even the most menial job well and championing the power of working together toward a common goal. There's even a lesson to be learned from the bees about controlling one's temper. --Tami Horiuchi"Bee Movie" is a comedy that will change everything you think you know about bees. Having just graduated from college, a bee by the name of Barry B. Benson (Jerry Seinfeld) finds himself disillusioned with the prospect of having only one career choiceâ€"honey. As he ventures outside of the hive for the first time, he breaks one of the cardinal rules of the bee world and talks to a human, a New York City florist named Vanessa (Renee Zellweger). He is shocked to discover that the humans have been stealin! g and eating the bee’s honey for centuries. He ultimately re! alizes t hat his true calling in life is to set the world right by suing the human race. That is until the ensuing chaos upsets the very balance of nature. It is up to Barry to prove that even a little bee can spell big changes in the world.There aren't a lot of choices in a bee's life: a bee attends a few days of school, graduates from college, and chooses a job in the hive that he'll labor at for the rest of his life. Barry (Jerry Seinfeld) is different from his best friend Adam (Matthew Broderick) and all the other bees: he wants to see the world outside the hive and can't begin to contemplate doing the same job for his entire life. Naturally, the life of the "pollen jock" bees appeals to Barry because it's the only job that takes a bee outside the hive and into the larger human world. Once outside the hive, Barry breaks the most sacred bee law and speaks to a human named Vanessa (Renée Zellweger) in order to thank her for saving his life. A relationship quickly blossoms and ! leads Barry to the discovery that humans are stealing honey from the bees and selling it for their own profit. Vowing to hurt the humans the one place they’ll feel it, Barry brings a legal suit against the honey industry and the courtroom drama begins. There are some hysterical moments in the film, as one would expect from a Seinfeld production, and an abundance of one-liners, double-meanings, slapstick humor, and innuendo-laden dialogue that will keep adults guffawing throughout the show. Still, the whole concept of seeing the life of a common pest through non-human eyes is getting repetitive thanks to films like Ratatouille, Flushed Away, Open Season, and Over the Hedge. It should be noted, though, that this first foray into animation by Jerry Seinfeld was four years in production due to its collaborative nature, so its theme may actually have well predated all of the aforementioned films. Children ages 5 and older will love the bees' si! lly antics, though many of the jokes will go right over their ! heads an d parents should be cautioned about some mildly suggestive humor. More than just a comical film about the life of one very different honeybee, Bee Movie is a social commentary that pokes fun at human behavior while stressing the importance of doing even the most menial job well and championing the power of working together toward a common goal. There's even a lesson to be learned from the bees about controlling one's temper. --Tami Horiuchi

Features include:

•MPAA Rating: PG
•Format: Blu-Ray
"Bee Movie" is a comedy that will change everything you think you know about bees. Having just graduated from college, a bee by the name of Barry B. Benson (Jerry Seinfeld) finds himself disillusioned with the prospect of having only one career choiceâ€"honey. As he ventures outside of the hive for the first time, he breaks one of the cardinal rules of the bee world and talks to a human, a New York City florist named Vanessa (Renee Zel! lweger). He is shocked to discover that the humans have been stealing and eating the bee’s honey for centuries. He ultimately realizes that his true calling in life is to set the world right by suing the human race. That is until the ensuing chaos upsets the very balance of nature. It is up to Barry to prove that even a little bee can spell big changes in the world.There aren't a lot of choices in a bee's life: a bee attends a few days of school, graduates from college, and chooses a job in the hive that he'll labor at for the rest of his life. Barry (Jerry Seinfeld) is different from his best friend Adam (Matthew Broderick) and all the other bees: he wants to see the world outside the hive and can't begin to contemplate doing the same job for his entire life. Naturally, the life of the "pollen jock" bees appeals to Barry because it's the only job that takes a bee outside the hive and into the larger human world. Once outside the hive, Barry breaks the most sacred bee ! law and speaks to a human named Vanessa (Renée Zellweger) in ! order to thank her for saving his life. A relationship quickly blossoms and leads Barry to the discovery that humans are stealing honey from the bees and selling it for their own profit. Vowing to hurt the humans the one place they’ll feel it, Barry brings a legal suit against the honey industry and the courtroom drama begins. There are some hysterical moments in the film, as one would expect from a Seinfeld production, and an abundance of one-liners, double-meanings, slapstick humor, and innuendo-laden dialogue that will keep adults guffawing throughout the show. Still, the whole concept of seeing the life of a common pest through non-human eyes is getting repetitive thanks to films like Ratatouille, Flushed Away, Open Season, and Over the Hedge. It should be noted, though, that this first foray into animation by Jerry Seinfeld was four years in production due to its collaborative nature, so its theme may actually have well predated all of the afo! rementioned films. Children ages 5 and older will love the bees' silly antics, though many of the jokes will go right over their heads and parents should be cautioned about some mildly suggestive humor. More than just a comical film about the life of one very different honeybee, Bee Movie is a social commentary that pokes fun at human behavior while stressing the importance of doing even the most menial job well and championing the power of working together toward a common goal. There's even a lesson to be learned from the bees about controlling one's temper. --Tami HoriuchiStudio: Paramount Home Video Release Date: 05/20/2008 Run time: 90 minutes Rating: PgThere aren't a lot of choices in a bee's life: a bee attends a few days of school, graduates from college, and chooses a job in the hive that he'll labor at for the rest of his life. Barry (Jerry Seinfeld) is different from his best friend Adam (Matthew Broderick) and all the other bees: he wants to! see the world outside the hive and can't begin to contemplate! doing t he same job for his entire life. Naturally, the life of the "pollen jock" bees appeals to Barry because it's the only job that takes a bee outside the hive and into the larger human world. Once outside the hive, Barry breaks the most sacred bee law and speaks to a human named Vanessa (Renée Zellweger) in order to thank her for saving his life. A relationship quickly blossoms and leads Barry to the discovery that humans are stealing honey from the bees and selling it for their own profit. Vowing to hurt the humans the one place they’ll feel it, Barry brings a legal suit against the honey industry and the courtroom drama begins. There are some hysterical moments in the film, as one would expect from a Seinfeld production, and an abundance of one-liners, double-meanings, slapstick humor, and innuendo-laden dialogue that will keep adults guffawing throughout the show. Still, the whole concept of seeing the life of a common pest through non-human eyes is getting repetiti! ve thanks to films like Ratatouille, Flushed Away, Open Season, and Over the Hedge. It should be noted, though, that this first foray into animation by Jerry Seinfeld was four years in production due to its collaborative nature, so its theme may actually have well predated all of the aforementioned films. Children ages 5 and older will love the bees' silly antics, though many of the jokes will go right over their heads and parents should be cautioned about some mildly suggestive humor. More than just a comical film about the life of one very different honeybee, Bee Movie is a social commentary that pokes fun at human behavior while stressing the importance of doing even the most menial job well and championing the power of working together toward a common goal. There's even a lesson to be learned from the bees about controlling one's temper. --Tami HoriuchiSET IN SOUTH CAROLINA IN 1964, IS THE MOVING TALE OF LILY OWENS (FANNING! ) A 14 YEAR-OLD GIRL WHO IS HAUNTED BY THE MEMORY OF HERLATE M! OTHER (B URTON).Headed by an all-star cast of women, The Secret Life of Bees is the heartwarming and well-told story of a young girl who finds love and acceptance from a trio of independent sisters. The Secret Life of Bees is based on the bestselling book of the same name by Sue Monk Kidd and centers around the plight of 14-year-old Lily (Dakota Fanning). Assuming the burden for her mother's premature death, she has a precarious relationship with her abusive father T. Ray (Paul Bettany). Lily's only friend is her caregiver Rosaleen (Academy Award winner Jennifer Hudson). Set in South Carolina in 1964, when civil rights wasn't a given, Rosaleen's life is threatened by racists who'd just as soon see her dead than exercise her right to vote. Lily runs away with her to a town she believes may hold the secrets of her mother's life. There the pair meet the Boatwright sisters August (Queen Latifah), June (Alicia Keys) and May (Sophie Okonedo)--who produce the area's famous! Black Madonna honey. They eventually provide Lily with the unconditional love she never felt she had and also show Rosaleen that being a black woman in the South doesn't mean she can't have a sense of worth. The Secret Life of Bees doesn't try to pass itself off as a historical documentation of race relations in the 1960s. But the fictional slice of life still resonates because of the feelings of injustice that it stirs up. Though the film is written to show the disparity between blacks and whites, there is always a strong sense of hope, thanks to the lead actresses who bring empathy and dignity to their roles. Hudson exhibits some of the same quiet grace that Regina Taylor brought to her role as the family housekeeper in the superb TV series I'll Fly Away. Latifah has the part of wise matriarch down pat, even when she's playing a sister rather than a mother. And it's clear that Fanning is making a seamless transition from kid to young adult roles. Whethe! r she's giving an impassioned monologue or listening thoughtfu! lly, Fan ning brings nuance and intelligence to her role. --Jae-Ha Kim



Stills from The Secret Life of Bees (Click for larger image)


   

In an anthill with millions of inhabitants, Z 4195 is a worker ant. Feeling insignificant in a conformity system, he accidentally meets beautiful Princess Bala, who has a similar problem on the other end of the social scale. In order to meet her again, Z switches sides with his soldier friend Weaver - only to become a hero in the course of events. By this he unwillingly crosses the sinister plans of ambitious General Mandible (Bala's fiancé, by the way), who wants to divide the ant society into a superior, strong race (soldiers) and an inferior, to-be-eliminated race (the workers). But Z and Bala, both unaware of the dangerous situation, try to leave the oppressive system by heading for Insectopia, a place where food paves the streets. --Written by Julian ReischlWoody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who! discovers that digging tunnels is cool? The animation playgro! und we a ll knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Quee! n, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerA comic catch from the studio that brought you Shrek, Shark Tale is a hilarious hit and "a wonderful under-the-sea adventure for movie lovers of all ages!" (Clay Smith, Access Hollywood)

Oscar (Will Smith), a lowly tongue-scrubber at the local Whale Wash, becomes an improbable hero when he tells a great white lie. To keep his secret, Oscar teams up with an outcast vegetarian shark, Lenny (Jack Black), and the two become the most unlikely of friends. When his lie begins to unravel, it’s up to Oscar’s loyal friend Angie (Renée Zell! weger) and Lenny to help him stand up to the most feared shark! in the water (Robert De Niro) and find his true place in the reef.When a shark accidentally clobbers himself, a small fish named Oscar (voiced by Will Smith, I, Robot) just happens to be around, prompting everyone to believe that he killed the shark himself. This lie soon makes Oscar a celebrity, worshipped by the general mass of fish, wooed by a glittering golddigger (Angelina Jolie, Girl, Interrupted), missed by his best friend (Renee Zellweger, Cold Mountain)--and hunted by the godfather of great whites (Robert De Niro, Goodfellas). Can a vegetarian shark named Lenny (Jack Black, School of Rock) get Oscar out of this mess? The formulaic story of Shark Tale never reaches the giddy heights of Pixar's output (Finding Nemo, Monsters Inc., Toy Story) or the freewheeling comedy of Shrek, but it's capably told and impeccably animated--the sheer technical skill is stunning. Kids won't get the mobster jokes or the othe! r pop-culture references, but they'll enjoy it nonetheless. --Bret Fetzer

Tuesday, November 15, 2011

Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder

  • ISBN13: 9780316042994
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
25th Anniversary Collector’s Edition

"Extraordinary" â€"The New York Times
"Visually ravishing" â€"Time

A special silver anniversary edition of the British classic called one of the best series in TV history. Based on the novel by Evelyn Waugh, two years in the making, and the equivalent of seven feature films back-to-back, this epic drama tells a story of romantic yearning and loss in the glittering but fading world of the British aristocracy between the wars. Winner of 17 international awards and starring Jeremy Irons, Anthony Andrews, Diana Quick, Sir John Gielgud, Claire Bloom, and Sir Laurence Olivier in an Emmy®-winning role. Bonus features on this edition includ! e the 50-min. featurette Revisiting Brideshead, produced by British television to celebrate the anniversary and featuring retrospective interviews with Irons, Andrews, Quick, director Charles Sturridge, and many more. Also includes a 20-page program guide, production notes, and photo gallery.Fill a bowl with alpine strawberries, break out the Château Lafite (1899, of course), and bask in this benchmark 1981 British miniseries based on Evelyn Waugh's classic novel. Adapted for the screen by John Mortimer (Rumpole of the Bailey), this impeccable, nearly 11-hour production mesmerized American viewers during the course of its PBS run in 1982. In his breakthrough role, Jeremy Irons stars as Charles Ryder, a disillusioned Army captain who is moved to reflect on his "languid days" in the "enchanted castle" that was Brideshead, home of the aristocratic Marchmain family, whose acquaintance Charles made in the company of an Oxford classmate, the charming wild child Seb! astian. Anthony Andrews costars as the doomed Sebastian, whose! beauty is "arresting" and "whose eccentricities and behavior seemed to know no bounds." The "entitled and enchanted" Sebastian takes Charles under his wing ("Charles, what a lot you have to learn"), but vows early on that he is "not going to let [Charles] get mixed up with [his] family." But mixed up Charles gets. He becomes a friend and confidante, not to mention a lover, to Sebastian's sister Julia (Diana Quick). Meanwhile, the self-destructive Sebastian's life spirals out of control. Brideshead Revisited boasts a distinguished ensemble, including Laurence Olivier in his Emmy Award-winning role as the exiled Lord Marchmain, Claire Bloom as Lady Marchmain, and the magnificent John Gielgud as Charles's estranged father. Grand locations and a haunting musical score make this a memorable revisit of an irretrievable bygone era. For those who scheduled their weeks around the original Monday-night broadcasts or those visiting Brideshead for the first time, this boxed set r! elease will be, as Charles rhapsodizes at one point while strolling the castle grounds, "very near to heaven." --Donald Liebenson

Stills from Brideshead Revisited (click for larger image)







Beyond Brideshead Revisited


The Novel

The Original Score (Soundtrack to the Movie)

The Movie in Theaters Now

Evelyn Waugh's most celebrated novel is a memory drama about the intense entanglement of the narrator, Charles Ryder, with a great Anglo-Catholic family. Written during World War II, the novel mourns the passing of the aristoc! ratic world Waugh knew in his youth and vividly recalls the sensuous plea-sures denied him by wartime austerities; in so doing it also provides a profound study of the conflict between the demands of religion and the desires of the flesh. At once romantic, sensuous, comic, and somber, "Brideshead Revisited" transcends Waugh's familiar satiric exploration of his cast of lords and ladies, Catholics and eccentrics, artists and misfits, revealing him to be an elegiac, lyrical novelist of the utmost feeling and lucidity. The edition reprinted here contains Waugh's revisions, made in 1959, and his preface to the revised edition.One of Waugh's most famous books, Brideshead Revisited tells the story of the difficult loves of insular Englishman Charles Ryder, and his peculiarly intense relationship with the wealthy but dysfunctional family that inhabited Brideshead. Taking place in the years after World War II, Brideshead Revisited shows us a part of upper-class E! nglish culture that has been disappearing steadily.

Goosebumps HorrorLand #11: Escape From Horrorland

  • ISBN13: 9780439918794
  • Condition: New
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KURT RUSSELL RETURNS AS OUTLAW HERO SNAKE PLISSKEN IN THIS THRILL-A-MINUTE SEQUEL TO THE HIT FUTURISTIC ADVENTURE ESCAPE FROM NEW YORK.Kurt Russell reprises his role as Snake Plissken, of the near-future thriller Escape from New York, in this reworking of that film's basic premise. Instead of New York being a maximum-security prison, this time it's L.A., which through the agency of earthquakes has become an island of the damned. This penal colony is where the film's future rulers, something very like the Moral Majority, send those deemed guilty of "moral crimes." But something has gone wrong in this new moral order, because the President's daughter has absconded to L.A. with a detonation devi! ce, and Snake is commandeered to retrieve it. The film's dark dystopia, with its satrical elements taking aim at our dwindling freedoms, and the eclipsing of democracy by narrow interests, are more the subject this time. As a result the action suffers, and the plot devices are sometimes weak and predictable. But just below the surface there is a coiled Snake ready to strike. Steve Buscemi's performance as a weasely hawker of L.A. tour maps is a standout, and the presence of Peter Fonda and Pam Grier adds to the fun. In fact, just the sight of Fonda surfing down the flooded corridor of Sunset Boulevard is reason enough to check this movie out. --Jim GayThe man with the patch is back. Call him Snake. Kurt Russell rejoins filmmakers John Carpenter and Debra Hill to do to the Big Orange what they did to the Big Apple in Escape From New York â€" with even more futuristic thrills and slam-bang action! Into the 9.6-quaked Los Angeles of 2013 comes Snake Plissken (Russell! ). His job: wade through L.A.'s ruined landmarks to retrieve a! doomsda y device. Don't miss the excitement as Snake surfs Wilshire Blvd., shoots hoops at the Coliseum, dive bombs the Happy Kingdom theme park, and mixes it up with a wild assortment of friends, fiends and foes (Stacy Keach, Steve Buscemi, Peter Fonda, George Corraface, Cliff Robertson, Pam Grier and more). Escape From L.A. is a "go-for-broke action extravaganza!" (Roger Ebert, Chicago Sun-Times).Kurt Russell reprises his role as Snake Plissken, of the near-future thriller Escape from New York, in this reworking of that film's basic premise. Instead of New York being a maximum-security prison, this time it's L.A., which through the agency of earthquakes has become an island of the damned. This penal colony is where the film's future rulers, something very like the Moral Majority, send those deemed guilty of "moral crimes." But something has gone wrong in this new moral order, because the President's daughter has absconded to L.A. with a detonation device, and Snake is co! mmandeered to retrieve it. The film's dark dystopia, with its satrical elements taking aim at our dwindling freedoms, and the eclipsing of democracy by narrow interests, are more the subject this time. As a result the action suffers, and the plot devices are sometimes weak and predictable. But just below the surface there is a coiled Snake ready to strike. Steve Buscemi's performance as a weasely hawker of L.A. tour maps is a standout, and the presence of Peter Fonda and Pam Grier adds to the fun. In fact, just the sight of Fonda surfing down the flooded corridor of Sunset Boulevard is reason enough to check this movie out. --Jim GayA thrilling landmark film that jolts along at a breakneck pace, Escape From New York leaped to cult status with high-octane action, edge-of-your-seat suspense and a mind-blowing vision of a lone warrior (Kurt Russell) battling his way out of a post-apocalyptic Manhattan! Hailed as "stylish and scary" (Los Angeles Times), "dark a! nd dangerous" (Newsweek) and "gloriously...fun" (Tyler Morning! Telegra ph), this fast-paced and furiously entertaining thriller grabs you by the throat and won't let go! In a world ravaged by crime, the entire island of Manhattan has been converted to a walled prison where brutal prisoners roam. But when the U.S. President (Donald Pleasence) crash-lands inside, only one man can bring him back: notorious outlaw and former Special Forces war hero Snake Plissken (Russell). But time is short: in 24 hours, an explosive device implanted in his neck will end Snake's mission and his life unless he succeeds! In the future, crime is out of control and New York City is a maximum security prison. Grabbing a bargaining chip right out of the air, convicts bring down the President's plane in bad old Gotham. Gruff Snake Plissken, a one-eyed warrior new to prison life, is coerced into bringing the President, and his cargo, out of this land of undesirables. Kurt Russell put his Disney days behind him as the nicest bad guy in the picture. All comic-book sensibili! ties and macho posturing, this is one of writer-director John Carpenter's better brainless escapes. There are snappy one-liners and explosive action scenes. However, the film lacks tension and some believability even within the realm of SF fantasy. Even when it fails to gel, though, it always manages to amuse, thanks in great part to a varied and unusual supporting cast (watch for Ernest Borgnine as a cabdriver). Followed in 1996 by Carpenter's overdone and campy Escape from L.A. --Rochelle O'Gorman A thrilling landmark film that jolts along at a breakneck pace, Escape From New York leapt to cult status with high-octane action, edge-of-your-seat suspense and a mind-blowing vision of a lone warrior (Kurt Russell) battling his way out of a post-apocalyptic Manhattan! Hailed as "stylish and scary" (Los Angeles Times), "dark and dangerous" (Newsweek) and "gloriously...fun" (Tyler Morning Telegraph), this fast-paced and furiously entertaining thriller grabs you by ! the throat and won't let go! In a world ravaged by crime, the! entire island of Manhattan has been converted to a walled prison where brutal prisoners roam. But when the U.S. President (Donald Pleasence) crash-lands inside, only one man can bring him back: notorious outlaw and former Special Forces war hero Snake Plissken (Russell). But time is short: in 24 hours, an explosive device implanted in his neck will end Snake's missionand his lifeunless he succeeds!In the future, crime is out of control and New York City is a maximum security prison. Grabbing a bargaining chip right out of the air, convicts bring down the President's plane in bad old Gotham. Gruff Snake Plissken, a one-eyed warrior new to prison life, is coerced into bringing the President, and his cargo, out of this land of undesirables. Kurt Russell put his Disney days behind him as the nicest bad guy in the picture. All comic-book sensibilities and macho posturing, this is one of writer-director John Carpenter's better brainless escapes. There are snappy one-liners and explosive ! action scenes. However, the film lacks tension and some believability even within the realm of SF fantasy. Even when it fails to gel, though, it always manages to amuse, thanks in great part to a varied and unusual supporting cast (watch for Ernest Borgnine as a cabdriver). Followed in 1996 by Carpenter's overdone and campy Escape from L.A. --Rochelle O'Gorman
Not long ago, Luke and Lizzy Morris dared to spend one day at HorrorLand, the terrifying theme park where nightmares come to life. They thought that NOTHING could lure them back, but their travel plans are about to change....

Who--or WHAT--is summoning ordinary kids to HorrorLand and trapping them there? Luke and Lizzy are determined to find out. They've gathered every clue, and they even launched their own secret website at EscapeHorrorLand.com.

This time, Luke and Lizzy are prepared to face any danger--and any villain. Or so they thought...


Al Franken - God Spoke

  • Political satirist Al Franken follows up his best-selling book LIES AND THE LYING LIARS WHO TELL THEM with this feature film. AL FRANKEN: GOD SPOKE follows the inimitable figure over a two-year period in which he campaigns against George W. Bush's reelection and takes well-aimed swipes at a number of big political targets. Runtime: 84 minutes Format: DVD MOVIE Genre: DOCUMENTARIES
An intimate & hilarious behind-the-scenes look at the life of the former saturday night live comedian turned author radio host & political satirist. Studio: New Video Group Release Date: 04/24/2007 Run time: 84 minutesIn God Spoke, Nick Doob and Chris Hegedus (The War Room) shine a light on political satirist Al Franken. The "flaming sword of justice" explains his left-leaning career like this, "They [right-wing pundits] say something ridiculous, and then I subject them to scorn and ridicule." The ! filmmakers, longtime associates of cinéma verité pioneer DA Pennebaker, take a fly-on-the-wall approach towards Franken's activities around the time of the 2004 presidential election and afterwards as he explores a run for the US Senate in 2008. They look at the (unsuccessful) lawsuit Fox News filed against him for swiping their tagline, his involvement in the upstart Air America network, and his dust-ups with Ann Coulter, Sean Hannity, Michael Medved, and Bill O'Reilly, who describes him as "a vile human being." Along the way, they follow the Minnesota-born comedian on book tours and speaking engagements, occasionally flashing back to his two-decade long stint on Saturday Night Live. God Spoke is an expansion of the Sundance Channel short The First Amendment Project: Fox vs. Franken and covers some of the same ground as HBO's America Undercover: Left of the Dial. In other words, there isn't a ton of new material here, but this "fair and balanc! ed" profile represents an entertaining introduction to a multi! -talente d individual. Without Franken, it's hard to imagine a place in the world for The Daily Show and other media designed to expose "lies and the lying liars who tell them," as his 2003 bestseller would have it. --Kathleen C. Fennessy

Love Finds You in Victory Heights, Washington

  • ISBN13: 9781609360009
  • Condition: New
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From the author of The Works: Anatomy of a City comes a gorgeous graphic tour through the inner workings of skyscrapers.

The skyscraper is perhaps the most recognizable icon of the modern urban landscape. Providing offices, homes, restaurants, and shopping to thousands of inhabitants, modern skyscrapers function as small cities- with infrastructure not unlike that hidden beneath our streets. Clean water is provided to floors thousands of feet in the sky; elevators move people swiftly and safely throughout the building; and telecom networks allow virtual meetings with people on other continents. How are these services-considered essential, but largely taken for granted- possib! le in such a complex structure? What does it really take to sustain human life at such enormous heights?

Exploring the interconnected systems that make life livable in the sky is the task of Kate Ascher's stunningly illustrated The Heights: Anatomy of a Skyscraper. Ascher examines skyscrapers from around the world to learn how these incredible structures operate. Just how do skyscrapers sway in the wind, and why exactly is that a good idea? How can a modern elevator be as fast as an airplane? Why are skyscrapers in Asia safer than those in the United States? Have new safeguards been designed to protect skyscrapers from terrorism?

What happens when the power goes out in a building so tall? Why are all modern skyscrapers seemingly made of glass, and how can that be safe? How do skyscrapers age, and how can they be maintained over decades of habitation? No detail is too small, no difficulty too big to escape Ascher's encyclopedic eye.

Along the wa! y, The Heights introduces the reader to every type of p! erson in volved in designing, building, and maintaining a skyscraper: the designers who calculate how weight and weather will affect their structures, the workers who dig the foundations and raise the lightning rods, the crews who clean the windows and maintain the air ducts, and the firefighters-whose special equipment allows blazes to be fought at unprecedented heights.

More than a technical survey, Ascher's work is a triumphant ode to the most monumental aspect of modern civilization. Saturated with vivid illustrations and unforgettable anecdotes, The Heights is the ultimate guide to the way things work in the skyscraper.

This is a beautifully designed, 6"x9" large edition of Emily Brontë's classic WUTHERING HEIGHTS.Five New Yorkers must make decisions overnight that will affect their futures.
Genre: Feature Film-Drama
Rating: R
Release Date: 2-MAY-2006
Media Type: DVDWith wit and sympathy, Heights traces the cross! ed paths and messy lives of New York theater people, journalists, and artists. At the middle of everything is Isabel (Elizabeth Banks, The Sisters), a struggling photographer whose mother, Diana (Glenn Close, Dangerous Liaisons), is the grand dame of the theater world. Isabel's fiance, Jonathan (James Marsden, X-Men), is being pursued by a writer for Vanity Fair about his relationship with a lionized photographer. Meanwhile, Diana, though married, casts her eye on a young actor named Alec (Jesse Bradford, Happy Endings), who lives in the same building as Isabel... This only begins to unravel the tangle, but a clever script, clean direction, and nicely pitched performances keep Heights from tripping over its own plot lines or sagging into soap opera. Close, in particular, has a blast doing an uncanny Meryl Streep impression, and deft supporting performances by Isabella Rosselini (Blue Velvet), Eric Bogosian (Talk Radio), Georg! e Segal (California Split), and musician Rufus Wainwrig! ht keep the edges of the stories lively. Heights doesn't achieve the emotional fullness of the best of Robert Altman's ensemble movies, but it stakes a claim in that cinematic territory. --Bret FetzerTim Welch is a popular history teacher at the Montague Academy, an exclusive private school in Brooklyn Heights. As he says, "I was an odd-looking, gawky kid but I like to think my rocky start forced me to develop empathy, kindness, and a tendency to be enthusiastic. All of this, I'm now convinced, helped in my quest to be worthy of Kate Oliver." Now, Kate is not inherently ordinary. But she aspires to be. She stays home with their two young sons in a modest apartment trying desperately to become the parent she never had. They are seemingly the last middle-class family in the Heights, whose world is turned upside down by Anna Brody, the new neighbor who moves into the most expensive brownstone in Brooklyn, sending the local society into a tailspin.

Anna is not onl! y beautiful and wealthy; she's also mysterious. And for reasons Kate doesn't quite understand, even as all the Range Rover- driving moms jockey for invitations into Anna's circle, Anna sets her sights on Kate and Tim and brings them into her world.

Like Tom Perrotta, Peter Hedges has a keen eye for the surprising truths of daily life. The Heights is at once light of touch and packed with emotion and depth of character.Kindle Description:Now updated with an Active Table of Contents.
Wuthering Heights is a gothic novel, and the only novel by Emily Brontë. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sister Charlotte.

The name of the novel comes from the Yorkshire manor on the moors on which the story centres (as an adjective; wuthering is a Yorkshire word referring to turbulent weather). The narrative tells the tale of the all-encompassing and passionate, yet thwarted, love be! tween Heathcliff and Catherine Earnshaw, and how this unresolv! ed passi on eventually destroys them and many around them.

Now considered a classic of English literature, Wuthering Heights met with mixed reviews by critics when it first appeared, mainly because of the narrative's stark depiction of mental and physical cruelty. Though Charlotte Brontë's Jane Eyre was initially considered the best of the Brontë sisters' works, many subsequent critics of Wuthering Heights argued that its originality and achievement made it superior. Wuthering Heights has also given rise to many adaptations and inspired works, including films, radio, television dramatisations, a musical by Bernard J. Taylor, ballet, opera, and song.Kindle Description:Now updated with an Active Table of Contents.
Wuthering Heights is a gothic novel, and the only novel by Emily Brontë. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sister Charlotte.

The name of the novel comes from the Yorkshire m! anor on the moors on which the story centres (as an adjective; wuthering is a Yorkshire word referring to turbulent weather). The narrative tells the tale of the all-encompassing and passionate, yet thwarted, love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys them and many around them.

Now considered a classic of English literature, Wuthering Heights met with mixed reviews by critics when it first appeared, mainly because of the narrative's stark depiction of mental and physical cruelty. Though Charlotte Brontë's Jane Eyre was initially considered the best of the Brontë sisters' works, many subsequent critics of Wuthering Heights argued that its originality and achievement made it superior. Wuthering Heights has also given rise to many adaptations and inspired works, including films, radio, television dramatisations, a musical by Bernard J. Taylor, ballet, opera, and song.The narrative is non-linear, involving severa! l flashbacks, and involves two narrators - Mr. Lockwood and El! len "Nel ly" Dean. The novel opens in 1801, with Lockwood arriving at Thrushcross Grange, a grand house on the Yorkshire moors he is renting from the surly Heathcliff, who lives at nearby Wuthering Heights. Lockwood spends the night at Wuthering Heights and has a terrifying dream: the ghost of Catherine Earnshaw, pleading to be admitted to the house from outside. Intrigued, Lockwood asks the housekeeper Nelly Dean to tell the story of Heathcliff and Wuthering Heights while he is staying at the Grange recovering from a cold.The narrative is non-linear, involving several flashbacks, and involves two narrators - Mr. Lockwood and Ellen "Nelly" Dean. The novel opens in 1801, with Lockwood arriving at Thrushcross Grange, a grand house on the Yorkshire moors he is renting from the surly Heathcliff, who lives at nearby Wuthering Heights. Lockwood spends the night at Wuthering Heights and has a terrifying dream: the ghost of Catherine Earnshaw, pleading to be admitted to the house from outsid! e. Intrigued, Lockwood asks the housekeeper Nelly Dean to tell the story of Heathcliff and Wuthering Heights while he is staying at the Grange recovering from a cold.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.The Second World War has stolen Rosalie's fiance from her. But rather than wallow, Rosalie throws herself into her work at the Boeing plant in Victory Heights, shooting rivets into the B-17 bombers that will destroy the enemy. A local reporter dubs her Seattle's Own Rosie the Riveter, and her story lends inspiration to women across the country. While Rosalie's strong arms can bear the weight of this new responsibility, her h! eart cannot handle the intense feelings that begin to surface ! for Kenn y, the handsome reporter. Fear of a second heartbreak is a powerful opponent - but will it claim victory over love?
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