Tuesday, November 15, 2011

Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder

  • ISBN13: 9780316042994
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
25th Anniversary Collector’s Edition

"Extraordinary" â€"The New York Times
"Visually ravishing" â€"Time

A special silver anniversary edition of the British classic called one of the best series in TV history. Based on the novel by Evelyn Waugh, two years in the making, and the equivalent of seven feature films back-to-back, this epic drama tells a story of romantic yearning and loss in the glittering but fading world of the British aristocracy between the wars. Winner of 17 international awards and starring Jeremy Irons, Anthony Andrews, Diana Quick, Sir John Gielgud, Claire Bloom, and Sir Laurence Olivier in an Emmy®-winning role. Bonus features on this edition includ! e the 50-min. featurette Revisiting Brideshead, produced by British television to celebrate the anniversary and featuring retrospective interviews with Irons, Andrews, Quick, director Charles Sturridge, and many more. Also includes a 20-page program guide, production notes, and photo gallery.Fill a bowl with alpine strawberries, break out the Château Lafite (1899, of course), and bask in this benchmark 1981 British miniseries based on Evelyn Waugh's classic novel. Adapted for the screen by John Mortimer (Rumpole of the Bailey), this impeccable, nearly 11-hour production mesmerized American viewers during the course of its PBS run in 1982. In his breakthrough role, Jeremy Irons stars as Charles Ryder, a disillusioned Army captain who is moved to reflect on his "languid days" in the "enchanted castle" that was Brideshead, home of the aristocratic Marchmain family, whose acquaintance Charles made in the company of an Oxford classmate, the charming wild child Seb! astian. Anthony Andrews costars as the doomed Sebastian, whose! beauty is "arresting" and "whose eccentricities and behavior seemed to know no bounds." The "entitled and enchanted" Sebastian takes Charles under his wing ("Charles, what a lot you have to learn"), but vows early on that he is "not going to let [Charles] get mixed up with [his] family." But mixed up Charles gets. He becomes a friend and confidante, not to mention a lover, to Sebastian's sister Julia (Diana Quick). Meanwhile, the self-destructive Sebastian's life spirals out of control. Brideshead Revisited boasts a distinguished ensemble, including Laurence Olivier in his Emmy Award-winning role as the exiled Lord Marchmain, Claire Bloom as Lady Marchmain, and the magnificent John Gielgud as Charles's estranged father. Grand locations and a haunting musical score make this a memorable revisit of an irretrievable bygone era. For those who scheduled their weeks around the original Monday-night broadcasts or those visiting Brideshead for the first time, this boxed set r! elease will be, as Charles rhapsodizes at one point while strolling the castle grounds, "very near to heaven." --Donald Liebenson

Stills from Brideshead Revisited (click for larger image)







Beyond Brideshead Revisited


The Novel

The Original Score (Soundtrack to the Movie)

The Movie in Theaters Now

Evelyn Waugh's most celebrated novel is a memory drama about the intense entanglement of the narrator, Charles Ryder, with a great Anglo-Catholic family. Written during World War II, the novel mourns the passing of the aristoc! ratic world Waugh knew in his youth and vividly recalls the sensuous plea-sures denied him by wartime austerities; in so doing it also provides a profound study of the conflict between the demands of religion and the desires of the flesh. At once romantic, sensuous, comic, and somber, "Brideshead Revisited" transcends Waugh's familiar satiric exploration of his cast of lords and ladies, Catholics and eccentrics, artists and misfits, revealing him to be an elegiac, lyrical novelist of the utmost feeling and lucidity. The edition reprinted here contains Waugh's revisions, made in 1959, and his preface to the revised edition.One of Waugh's most famous books, Brideshead Revisited tells the story of the difficult loves of insular Englishman Charles Ryder, and his peculiarly intense relationship with the wealthy but dysfunctional family that inhabited Brideshead. Taking place in the years after World War II, Brideshead Revisited shows us a part of upper-class E! nglish culture that has been disappearing steadily.

Goosebumps HorrorLand #11: Escape From Horrorland

  • ISBN13: 9780439918794
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
KURT RUSSELL RETURNS AS OUTLAW HERO SNAKE PLISSKEN IN THIS THRILL-A-MINUTE SEQUEL TO THE HIT FUTURISTIC ADVENTURE ESCAPE FROM NEW YORK.Kurt Russell reprises his role as Snake Plissken, of the near-future thriller Escape from New York, in this reworking of that film's basic premise. Instead of New York being a maximum-security prison, this time it's L.A., which through the agency of earthquakes has become an island of the damned. This penal colony is where the film's future rulers, something very like the Moral Majority, send those deemed guilty of "moral crimes." But something has gone wrong in this new moral order, because the President's daughter has absconded to L.A. with a detonation devi! ce, and Snake is commandeered to retrieve it. The film's dark dystopia, with its satrical elements taking aim at our dwindling freedoms, and the eclipsing of democracy by narrow interests, are more the subject this time. As a result the action suffers, and the plot devices are sometimes weak and predictable. But just below the surface there is a coiled Snake ready to strike. Steve Buscemi's performance as a weasely hawker of L.A. tour maps is a standout, and the presence of Peter Fonda and Pam Grier adds to the fun. In fact, just the sight of Fonda surfing down the flooded corridor of Sunset Boulevard is reason enough to check this movie out. --Jim GayThe man with the patch is back. Call him Snake. Kurt Russell rejoins filmmakers John Carpenter and Debra Hill to do to the Big Orange what they did to the Big Apple in Escape From New York â€" with even more futuristic thrills and slam-bang action! Into the 9.6-quaked Los Angeles of 2013 comes Snake Plissken (Russell! ). His job: wade through L.A.'s ruined landmarks to retrieve a! doomsda y device. Don't miss the excitement as Snake surfs Wilshire Blvd., shoots hoops at the Coliseum, dive bombs the Happy Kingdom theme park, and mixes it up with a wild assortment of friends, fiends and foes (Stacy Keach, Steve Buscemi, Peter Fonda, George Corraface, Cliff Robertson, Pam Grier and more). Escape From L.A. is a "go-for-broke action extravaganza!" (Roger Ebert, Chicago Sun-Times).Kurt Russell reprises his role as Snake Plissken, of the near-future thriller Escape from New York, in this reworking of that film's basic premise. Instead of New York being a maximum-security prison, this time it's L.A., which through the agency of earthquakes has become an island of the damned. This penal colony is where the film's future rulers, something very like the Moral Majority, send those deemed guilty of "moral crimes." But something has gone wrong in this new moral order, because the President's daughter has absconded to L.A. with a detonation device, and Snake is co! mmandeered to retrieve it. The film's dark dystopia, with its satrical elements taking aim at our dwindling freedoms, and the eclipsing of democracy by narrow interests, are more the subject this time. As a result the action suffers, and the plot devices are sometimes weak and predictable. But just below the surface there is a coiled Snake ready to strike. Steve Buscemi's performance as a weasely hawker of L.A. tour maps is a standout, and the presence of Peter Fonda and Pam Grier adds to the fun. In fact, just the sight of Fonda surfing down the flooded corridor of Sunset Boulevard is reason enough to check this movie out. --Jim GayA thrilling landmark film that jolts along at a breakneck pace, Escape From New York leaped to cult status with high-octane action, edge-of-your-seat suspense and a mind-blowing vision of a lone warrior (Kurt Russell) battling his way out of a post-apocalyptic Manhattan! Hailed as "stylish and scary" (Los Angeles Times), "dark a! nd dangerous" (Newsweek) and "gloriously...fun" (Tyler Morning! Telegra ph), this fast-paced and furiously entertaining thriller grabs you by the throat and won't let go! In a world ravaged by crime, the entire island of Manhattan has been converted to a walled prison where brutal prisoners roam. But when the U.S. President (Donald Pleasence) crash-lands inside, only one man can bring him back: notorious outlaw and former Special Forces war hero Snake Plissken (Russell). But time is short: in 24 hours, an explosive device implanted in his neck will end Snake's mission and his life unless he succeeds! In the future, crime is out of control and New York City is a maximum security prison. Grabbing a bargaining chip right out of the air, convicts bring down the President's plane in bad old Gotham. Gruff Snake Plissken, a one-eyed warrior new to prison life, is coerced into bringing the President, and his cargo, out of this land of undesirables. Kurt Russell put his Disney days behind him as the nicest bad guy in the picture. All comic-book sensibili! ties and macho posturing, this is one of writer-director John Carpenter's better brainless escapes. There are snappy one-liners and explosive action scenes. However, the film lacks tension and some believability even within the realm of SF fantasy. Even when it fails to gel, though, it always manages to amuse, thanks in great part to a varied and unusual supporting cast (watch for Ernest Borgnine as a cabdriver). Followed in 1996 by Carpenter's overdone and campy Escape from L.A. --Rochelle O'Gorman A thrilling landmark film that jolts along at a breakneck pace, Escape From New York leapt to cult status with high-octane action, edge-of-your-seat suspense and a mind-blowing vision of a lone warrior (Kurt Russell) battling his way out of a post-apocalyptic Manhattan! Hailed as "stylish and scary" (Los Angeles Times), "dark and dangerous" (Newsweek) and "gloriously...fun" (Tyler Morning Telegraph), this fast-paced and furiously entertaining thriller grabs you by ! the throat and won't let go! In a world ravaged by crime, the! entire island of Manhattan has been converted to a walled prison where brutal prisoners roam. But when the U.S. President (Donald Pleasence) crash-lands inside, only one man can bring him back: notorious outlaw and former Special Forces war hero Snake Plissken (Russell). But time is short: in 24 hours, an explosive device implanted in his neck will end Snake's missionand his lifeunless he succeeds!In the future, crime is out of control and New York City is a maximum security prison. Grabbing a bargaining chip right out of the air, convicts bring down the President's plane in bad old Gotham. Gruff Snake Plissken, a one-eyed warrior new to prison life, is coerced into bringing the President, and his cargo, out of this land of undesirables. Kurt Russell put his Disney days behind him as the nicest bad guy in the picture. All comic-book sensibilities and macho posturing, this is one of writer-director John Carpenter's better brainless escapes. There are snappy one-liners and explosive ! action scenes. However, the film lacks tension and some believability even within the realm of SF fantasy. Even when it fails to gel, though, it always manages to amuse, thanks in great part to a varied and unusual supporting cast (watch for Ernest Borgnine as a cabdriver). Followed in 1996 by Carpenter's overdone and campy Escape from L.A. --Rochelle O'Gorman
Not long ago, Luke and Lizzy Morris dared to spend one day at HorrorLand, the terrifying theme park where nightmares come to life. They thought that NOTHING could lure them back, but their travel plans are about to change....

Who--or WHAT--is summoning ordinary kids to HorrorLand and trapping them there? Luke and Lizzy are determined to find out. They've gathered every clue, and they even launched their own secret website at EscapeHorrorLand.com.

This time, Luke and Lizzy are prepared to face any danger--and any villain. Or so they thought...


Al Franken - God Spoke

  • Political satirist Al Franken follows up his best-selling book LIES AND THE LYING LIARS WHO TELL THEM with this feature film. AL FRANKEN: GOD SPOKE follows the inimitable figure over a two-year period in which he campaigns against George W. Bush's reelection and takes well-aimed swipes at a number of big political targets. Runtime: 84 minutes Format: DVD MOVIE Genre: DOCUMENTARIES
An intimate & hilarious behind-the-scenes look at the life of the former saturday night live comedian turned author radio host & political satirist. Studio: New Video Group Release Date: 04/24/2007 Run time: 84 minutesIn God Spoke, Nick Doob and Chris Hegedus (The War Room) shine a light on political satirist Al Franken. The "flaming sword of justice" explains his left-leaning career like this, "They [right-wing pundits] say something ridiculous, and then I subject them to scorn and ridicule." The ! filmmakers, longtime associates of cinéma verité pioneer DA Pennebaker, take a fly-on-the-wall approach towards Franken's activities around the time of the 2004 presidential election and afterwards as he explores a run for the US Senate in 2008. They look at the (unsuccessful) lawsuit Fox News filed against him for swiping their tagline, his involvement in the upstart Air America network, and his dust-ups with Ann Coulter, Sean Hannity, Michael Medved, and Bill O'Reilly, who describes him as "a vile human being." Along the way, they follow the Minnesota-born comedian on book tours and speaking engagements, occasionally flashing back to his two-decade long stint on Saturday Night Live. God Spoke is an expansion of the Sundance Channel short The First Amendment Project: Fox vs. Franken and covers some of the same ground as HBO's America Undercover: Left of the Dial. In other words, there isn't a ton of new material here, but this "fair and balanc! ed" profile represents an entertaining introduction to a multi! -talente d individual. Without Franken, it's hard to imagine a place in the world for The Daily Show and other media designed to expose "lies and the lying liars who tell them," as his 2003 bestseller would have it. --Kathleen C. Fennessy

Love Finds You in Victory Heights, Washington

  • ISBN13: 9781609360009
  • Condition: New
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From the author of The Works: Anatomy of a City comes a gorgeous graphic tour through the inner workings of skyscrapers.

The skyscraper is perhaps the most recognizable icon of the modern urban landscape. Providing offices, homes, restaurants, and shopping to thousands of inhabitants, modern skyscrapers function as small cities- with infrastructure not unlike that hidden beneath our streets. Clean water is provided to floors thousands of feet in the sky; elevators move people swiftly and safely throughout the building; and telecom networks allow virtual meetings with people on other continents. How are these services-considered essential, but largely taken for granted- possib! le in such a complex structure? What does it really take to sustain human life at such enormous heights?

Exploring the interconnected systems that make life livable in the sky is the task of Kate Ascher's stunningly illustrated The Heights: Anatomy of a Skyscraper. Ascher examines skyscrapers from around the world to learn how these incredible structures operate. Just how do skyscrapers sway in the wind, and why exactly is that a good idea? How can a modern elevator be as fast as an airplane? Why are skyscrapers in Asia safer than those in the United States? Have new safeguards been designed to protect skyscrapers from terrorism?

What happens when the power goes out in a building so tall? Why are all modern skyscrapers seemingly made of glass, and how can that be safe? How do skyscrapers age, and how can they be maintained over decades of habitation? No detail is too small, no difficulty too big to escape Ascher's encyclopedic eye.

Along the wa! y, The Heights introduces the reader to every type of p! erson in volved in designing, building, and maintaining a skyscraper: the designers who calculate how weight and weather will affect their structures, the workers who dig the foundations and raise the lightning rods, the crews who clean the windows and maintain the air ducts, and the firefighters-whose special equipment allows blazes to be fought at unprecedented heights.

More than a technical survey, Ascher's work is a triumphant ode to the most monumental aspect of modern civilization. Saturated with vivid illustrations and unforgettable anecdotes, The Heights is the ultimate guide to the way things work in the skyscraper.

This is a beautifully designed, 6"x9" large edition of Emily Brontë's classic WUTHERING HEIGHTS.Five New Yorkers must make decisions overnight that will affect their futures.
Genre: Feature Film-Drama
Rating: R
Release Date: 2-MAY-2006
Media Type: DVDWith wit and sympathy, Heights traces the cross! ed paths and messy lives of New York theater people, journalists, and artists. At the middle of everything is Isabel (Elizabeth Banks, The Sisters), a struggling photographer whose mother, Diana (Glenn Close, Dangerous Liaisons), is the grand dame of the theater world. Isabel's fiance, Jonathan (James Marsden, X-Men), is being pursued by a writer for Vanity Fair about his relationship with a lionized photographer. Meanwhile, Diana, though married, casts her eye on a young actor named Alec (Jesse Bradford, Happy Endings), who lives in the same building as Isabel... This only begins to unravel the tangle, but a clever script, clean direction, and nicely pitched performances keep Heights from tripping over its own plot lines or sagging into soap opera. Close, in particular, has a blast doing an uncanny Meryl Streep impression, and deft supporting performances by Isabella Rosselini (Blue Velvet), Eric Bogosian (Talk Radio), Georg! e Segal (California Split), and musician Rufus Wainwrig! ht keep the edges of the stories lively. Heights doesn't achieve the emotional fullness of the best of Robert Altman's ensemble movies, but it stakes a claim in that cinematic territory. --Bret FetzerTim Welch is a popular history teacher at the Montague Academy, an exclusive private school in Brooklyn Heights. As he says, "I was an odd-looking, gawky kid but I like to think my rocky start forced me to develop empathy, kindness, and a tendency to be enthusiastic. All of this, I'm now convinced, helped in my quest to be worthy of Kate Oliver." Now, Kate is not inherently ordinary. But she aspires to be. She stays home with their two young sons in a modest apartment trying desperately to become the parent she never had. They are seemingly the last middle-class family in the Heights, whose world is turned upside down by Anna Brody, the new neighbor who moves into the most expensive brownstone in Brooklyn, sending the local society into a tailspin.

Anna is not onl! y beautiful and wealthy; she's also mysterious. And for reasons Kate doesn't quite understand, even as all the Range Rover- driving moms jockey for invitations into Anna's circle, Anna sets her sights on Kate and Tim and brings them into her world.

Like Tom Perrotta, Peter Hedges has a keen eye for the surprising truths of daily life. The Heights is at once light of touch and packed with emotion and depth of character.Kindle Description:Now updated with an Active Table of Contents.
Wuthering Heights is a gothic novel, and the only novel by Emily Brontë. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sister Charlotte.

The name of the novel comes from the Yorkshire manor on the moors on which the story centres (as an adjective; wuthering is a Yorkshire word referring to turbulent weather). The narrative tells the tale of the all-encompassing and passionate, yet thwarted, love be! tween Heathcliff and Catherine Earnshaw, and how this unresolv! ed passi on eventually destroys them and many around them.

Now considered a classic of English literature, Wuthering Heights met with mixed reviews by critics when it first appeared, mainly because of the narrative's stark depiction of mental and physical cruelty. Though Charlotte Brontë's Jane Eyre was initially considered the best of the Brontë sisters' works, many subsequent critics of Wuthering Heights argued that its originality and achievement made it superior. Wuthering Heights has also given rise to many adaptations and inspired works, including films, radio, television dramatisations, a musical by Bernard J. Taylor, ballet, opera, and song.Kindle Description:Now updated with an Active Table of Contents.
Wuthering Heights is a gothic novel, and the only novel by Emily Brontë. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sister Charlotte.

The name of the novel comes from the Yorkshire m! anor on the moors on which the story centres (as an adjective; wuthering is a Yorkshire word referring to turbulent weather). The narrative tells the tale of the all-encompassing and passionate, yet thwarted, love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys them and many around them.

Now considered a classic of English literature, Wuthering Heights met with mixed reviews by critics when it first appeared, mainly because of the narrative's stark depiction of mental and physical cruelty. Though Charlotte Brontë's Jane Eyre was initially considered the best of the Brontë sisters' works, many subsequent critics of Wuthering Heights argued that its originality and achievement made it superior. Wuthering Heights has also given rise to many adaptations and inspired works, including films, radio, television dramatisations, a musical by Bernard J. Taylor, ballet, opera, and song.The narrative is non-linear, involving severa! l flashbacks, and involves two narrators - Mr. Lockwood and El! len "Nel ly" Dean. The novel opens in 1801, with Lockwood arriving at Thrushcross Grange, a grand house on the Yorkshire moors he is renting from the surly Heathcliff, who lives at nearby Wuthering Heights. Lockwood spends the night at Wuthering Heights and has a terrifying dream: the ghost of Catherine Earnshaw, pleading to be admitted to the house from outside. Intrigued, Lockwood asks the housekeeper Nelly Dean to tell the story of Heathcliff and Wuthering Heights while he is staying at the Grange recovering from a cold.The narrative is non-linear, involving several flashbacks, and involves two narrators - Mr. Lockwood and Ellen "Nelly" Dean. The novel opens in 1801, with Lockwood arriving at Thrushcross Grange, a grand house on the Yorkshire moors he is renting from the surly Heathcliff, who lives at nearby Wuthering Heights. Lockwood spends the night at Wuthering Heights and has a terrifying dream: the ghost of Catherine Earnshaw, pleading to be admitted to the house from outsid! e. Intrigued, Lockwood asks the housekeeper Nelly Dean to tell the story of Heathcliff and Wuthering Heights while he is staying at the Grange recovering from a cold.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.The Second World War has stolen Rosalie's fiance from her. But rather than wallow, Rosalie throws herself into her work at the Boeing plant in Victory Heights, shooting rivets into the B-17 bombers that will destroy the enemy. A local reporter dubs her Seattle's Own Rosie the Riveter, and her story lends inspiration to women across the country. While Rosalie's strong arms can bear the weight of this new responsibility, her h! eart cannot handle the intense feelings that begin to surface ! for Kenn y, the handsome reporter. Fear of a second heartbreak is a powerful opponent - but will it claim victory over love?
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