AMERICAN GRAFFITI COLLECTOR'S EDITION - DVD MovieHere's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit,
American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and
American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for
Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio ! show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots,
American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies.
--Jeff ShannonHere's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit,
American Graffiti: "[It's] not only a great movie but a brilliant work ! of historical fiction; no sociological treatise could duplicat! e the mo vie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and
American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for
Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots,
American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't s! eem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. Befitting that reputation, the collector's edition DVD includes a full-length commentary by Lucas, a behind-the-scenes featurette about the film's production, a photo gallery, and extensive production notes.
--Jeff Shannon From director George Lucas (Star Wars) and producer Francis Ford Coppola (The Godfather), American Graffiti is a classic coming-of-age story set against the 1960s backdrop of hot rods, drive-ins and rock n’ roll. Starring Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips and Suzanne Somers in their breakout roles, this nostalgic look back follows a group ! of teenagers as they cruise the streets on their last summer n! ight bef ore college. Nominated for five Academy Awards, including Best Picture and Best Director, American Graffiti features the howling sounds of Wolfman Jack and an unforgettable soundtrack with songs by Buddy Holly, Chuck Berry, The Beach Boys and Bill Haley & His Comets.Here's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit,
American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and
American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success! paved the way for
Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots,
American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies.
--Jeff ShannonHere's how critic Roger Ebert described the unique and lasting value of Geo! rge Lucas's 1973 box-office hit,
American Graffiti: "[I! t's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and
American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for
Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots,
American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinema! tography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. Befitting that reputation, the collector's edition DVD includes a full-length commentary by Lucas, a behind-the-scenes featurette about the film's production, a photo gallery, and extensive production notes.
--Jeff Shannon AMERICAN GRAFFITI DRIVE-IN DOUBLE FEA - DVD MovieNo Description Available.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 22-AUG-2006
Media Type: DVDSix years after
American Graffiti, George Lucas answered the call for an upda! te on his classic characters with this ambitious sequel. You d! efinitel y need to know the original to have an emotional investment in
More American Graffiti, as the action is spread over four different New Year's Eves in the sixties. Milner is drag racing, the Toad is dodging bullets in Vietnam, Debbie is a San Francisco hippie, and Steve and Laurie weather a domestic crisis. The cast is back, save for the AWOL Richard Dreyfuss; even Harrison Ford pops up for an amusing cameo. The busy rock soundtrack is there too, but the old magic is dissipated in labored comedy and obvious social comment. The most interesting thing about the film is director Bill Norton's decision to shoot the segments in different styles, a bold move that pays off in the gritty, TV-news look of the Vietnam sequences.
--Robert HortonStudio: Uni Dist Corp. (mca) Release Date: 05/31/2011 Starring: Harrison Ford Ron Howard Mackenzie Phillips Run time: 113 minutes Rating: Pg Director: George LucasHere's how critic Roger Ebert described the unique and lasting v! alue of George Lucas's 1973 box-office hit,
American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and
American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for
Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots,
American Graffiti becomes a flawless time capsule of meticulously re-created memory, a! s authentic as a documentary and vividly realized through inno! vative u se of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies.
--Jeff ShannonHere's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit,
American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and
American Graffiti captures the look, feel, and sound of! that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for
Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots,
American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Can! dy Clark, and Paul Le Mat. A true American classic, the film r! anks No. 77 on the American Film Institute's list of all-time greatest American movies. Befitting that reputation, the collector's edition DVD includes a full-length commentary by Lucas, a behind-the-scenes featurette about the film's production, a photo gallery, and extensive production notes.
--Jeff Shannon For those of us who grew up in the '70s, this drive-in compilation of '50s and '60s rock and doo-wop, complete with Wolfman Jack introductions, was our introduction to this music. There are 41 jukebox hits here, and every one of them is a classic of its time (although two tracks--"At the Hop" and "She's so Fine" are covers by the revival band Flash Cadillac & the Continental Kids). In his 1973 movie, director George Lucas used the music (and the presence of mysterious deejay Wolfman) as the AM-radio soundtrack to one night in suburban California, 1962. The idea was to capture and sustain an end-of-summer, end-of-innocence mood that's in the air throughout the p! icture-- not as a shortcut to establishing a period (as in Robert Zemeckis'
Forrest Gump). There's an awful lot of spontaneous energy in these tunes--from Chuck Berry and Buddy Holly, to the Platters and the Clovers and the Del-Vikings, to the Crests and the Beach Boys--and also just a hint of melancholy that goes down very nicely with a burger, shake, and fries.
--Jim EmersonHere's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit,
American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and
American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (I! n essence, Lucas was making a semiautobiographical tribute to ! his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for
Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots,
American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies.
--Jeff ShannonHere's how criti! c Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit,
American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and
American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for
Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots,
American Graffiti becomes a flawless t! ime capsule of meticulously re-created memory, as authentic as! a docum entary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. Befitting that reputation, the collector's edition DVD includes a full-length commentary by Lucas, a behind-the-scenes featurette about the film's production, a photo gallery, and extensive production notes.
--Jeff Shannon Here's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit,
American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociolo! gical treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and
American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for
Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots,
American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit ! their roles so fully that they don't seem like actors at all, ! comprisi ng a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies.
--Jeff ShannonHere's how critic Roger Ebert described the unique and lasting value of George Lucas's 1973 box-office hit,
American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and
American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semiautob! iographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for
Star Wars.) The action is propelled by the music of Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots,
American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realized through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic, the film ranks No. 77 on the American Film Institute's list of all-time greatest American movies. Befit! ting that reputation, the collector's edition DVD includes a f! ull-leng th commentary by Lucas, a behind-the-scenes featurette about the film's production, a photo gallery, and extensive production notes.
--Jeff Shannon 
Q: It's been a decade since the last Baby-sitters Club books came out, and 24 years since the first book was published. What was it like to come back to the BSC after so many years away?
