Friday, May 18, 2012

The American President

  • Condition: New
  • Format: DVD
  • Color; DVD; Widescreen; NTSC

The young president who brought vigor and glamour to the White House while he confronted cold war crises abroad and calls for social change at home

John Fitzgerald Kennedy was a new kind of president. He redefined how Americans came to see the nation's chief executive. He was forty-three when he was inaugurated in 1961â€"the youngest man ever elected to the officeâ€"and he personified what he called the "New Frontier" as the United States entered the 1960s.

But as Alan Brinkley shows in this incisive and lively assessment, the reality of Kennedy's achievements was much more complex than the legend. His brief presidency encountered significant failuresâ€"among them the Bay of Pigs fiasco, which cast its shadow on nearly every national-security decision that followed. But Kennedy also had successes, am! ong them the Cuban Missile Crisis and his belated but powerful stand against segregation.

Kennedy seemed to live on a knife's edge, moving from one crisis to anotherâ€"Cuba, Laos, Berlin, Vietnam, Mississippi, Georgia, and Alabama. His controversial public life mirrored his hidden private life. He took risks that would seem reckless and even foolhardy when they emerged from secrecy years later.

Kennedy's life, and his violent and sudden death, reshaped our view of the presidency. Brinkley gives us a full picture of the man, his times, and his enduring legacy.

The young president who brought vigor and glamour to the White House while he confronted cold war crises abroad and calls for social change at home

John Fitzgerald Kennedy was a new kind of president. He redefined how Americans came to see the nation's chief executive. He was forty-three when he was inaugurated in 1961â€"the youngest man ever elected to the officeâ€"and he personified w! hat he called the "New Frontier" as the United States entered ! the 1960 s.

But as Alan Brinkley shows in this incisive and lively assessment, the reality of Kennedy's achievements was much more complex than the legend. His brief presidency encountered significant failuresâ€"among them the Bay of Pigs fiasco, which cast its shadow on nearly every national-security decision that followed. But Kennedy also had successes, among them the Cuban Missile Crisis and his belated but powerful stand against segregation.

Kennedy seemed to live on a knife's edge, moving from one crisis to anotherâ€"Cuba, Laos, Berlin, Vietnam, Mississippi, Georgia, and Alabama. His controversial public life mirrored his hidden private life. He took risks that would seem reckless and even foolhardy when they emerged from secrecy years later.

Kennedy's life, and his violent and sudden death, reshaped our view of the presidency. Brinkley gives us a full picture of the man, his times, and his enduring legacy.

Michael Douglas, Annette Bening, Martin Sheen, M! ichael J. Fox. The blockbuster romantic comedy about a modern president and the beautiful environmental lobbyist who wins his heart. 1995/color/115 min/PG-13/widescreen.What sounds like a high-concept romantic comedy pitch from hell--widower president falls for smart lobbyist while the world watches--is actually intelligent, charming, touching, and quite funny. Granted, it's wish fulfillment all the way (when was the last time you saw a president who was truly presidential?), but in the capable hands of writer Aaron Sorkin (TV's Sports Night) and director Rob Reiner, The American President is incredibly enjoyable entertainment with quite a few ideas about both romance and the government. Michael Douglas stars as the president, who after three years in office starts thinking about the possibility of dating. When he auspiciously encounters cutthroat environmental lobbyist Sydney Ellen Wade (Annette Bening), sparks begin to crackle and the two begin a tent! ative but heartfelt romance. Of course, his job gets in the wa! y--their first kiss is interrupted by a Libyan bombing--but darn it if these two kids aren't going to try and make it work! However, they hadn't counted on the president's Republican antagonist (Richard Dreyfuss), who starts carping about family values. The predictable plot--Douglas finally goes to bat for his lady and his country--is leavened by Sorkin's wonderful, snappy dialogue and a light touch from the usually subtle-as-a-sledgehammer Reiner. Both manage to create a believable White House-office atmosphere (with a crack staff including Martin Sheen, Michael J. Fox, Anna Deavere Smith, and Samantha Mathis) as well as a plausible and funny dating scenario. The true success of the movie, though, rides squarely on Douglas and Bening; this is unequivocally Douglas's best comedic performance (ergo his best performance, period) and Bening, usually such a good bad girl, takes a standard career-woman role and fleshes it out magnificently. You can see in an instant why Douglas would fal! l for her. One of the best unsung romantic comedies of the '90s. --Mark Englehart

Tuesday, May 1, 2012

Dead & Buried (Limited Edition)

  • DEAD & BURIED LIMITED EDITION 2-DISC (DVD MOVIE)
Paul Conroy is not ready to die. But when he wakes up six feet underground with no idea of who put him there or why, life for the truck driver and family man instantly becomes a hellish struggle for survival. Buried with only a cell phone and a lighter, his contact with the outside world and ability to piece together clues that could help him discover his location are maddeningly limited. Poor reception, a rapidly draining battery, and a dwindling oxygen supply become his worst enemies in a tightly confined race against time; fighting panic, despair and delirium, Paul has only ninety minutes to be rescued before his worst nightmare comes true.Alfred Hitchcock, eat your heart out. Sure, the master of suspense set himself some tough challenges with limited scenarios: Lifeboat took place entirely within the title craft, Rear Window d! idn't stray from Jimmy Stewart's apartment, and Rope stuck mostly to an unbroken take. But Spanish director Rodrigo Cortés wants to do the master one better: Buried is set inside a coffin, buried beneath a few feet of immovable earth. Paul Conroy (Ryan Reynolds) wakes up inside the coffin, a cell phone and lighter next to him; for the next 90 minutes, we won't leave the narrow space of that wooden box. No cheats: no flashbacks to Paul's past, no cross-cutting with efforts to free him. Cortés sticks to the rules and follows his story out to its conclusion, and in the process he must think of every possible way to shoot and light someone in a confined space. Seems Paul was in Iraq as a non-military truck driver when he got caught in some crossfire, and somebody wants to make a point. The cell phone allows him to speak, and try to puzzle out what's happening, but except for the voices on the other end, this is entirely Ryan Reynolds's show. The actor is up for ! it: although he can't use his body, he calls on both his actio! n-movie chops and (at certain exasperating moments) his comic talents. By definition, this is a bravura turn, and Reynolds comes through firing on all cylinders. Buried is an exercise, but it manages to sneak in a few sly suggestions about the nature of an American's presence in the Middle East. It even earns points for an excellent credits sequence--a clever nod to Hitchcock classics. Somehow you suspect the master would approve. --Robert HortonFour years after the horrific murder of her husband, Serenity is living a new life and finally putting the terrifying events behind her. Though now a stronger person, her heart craves the vampire who gave her the strength to change her life.

Desperate to forget Serenity, Sebastian hides away in the underground tunnels of Goreme, Turkey, and has thrown himself into an existence of darkness and blood.

But rumours are abound of something unnatural existing, something with the strength of a vampire but can w! alk in the light.

And a murderer is on the loose in Angeles Forest, someone who is killing with the ferocity of a beast. The killer is moving closer and closer to the city, searching for something...


The 'Serenity' Series:
  • 'The Vengeful Vampire'   - Free Prequel Short Story  
  •  'Alone'                              - Book One in the Series is now FREE!
  •  'Buried'                             - Book Two in the Series 
  • 'Captured'                          - Book Three is available to buy now!
Four years after the horrific murder of her husband, Serenity is living a new life and finally putting the terrifying events behind her. Though now a stronger person, her heart craves the vampire who gave her the strength to change her life.

Desperate to forget Serenity, Sebastian hides away in the und! erground tunnels of Goreme, Turkey, and has thrown himself int! o an exi stence of darkness and blood.

But rumours are abound of something unnatural existing, something with the strength of a vampire but can walk in the light.

And a murderer is on the loose in Angeles Forest, someone who is killing with the ferocity of a beast. The killer is moving closer and closer to the city, searching for something...


The 'Serenity' Series:
  • 'The Vengeful Vampire'   - Free Prequel Short Story  
  •  'Alone'                              - Book One in the Series is now FREE!
  •  'Buried'                             - Book Two in the Series 
  • 'Captured'                          - Book Three is available to buy now!
Some secrets just can't stay buried, in the brilliant new Lucas Davenport thriller from the number-one New York Times- bestselling author.

"One of the bes! t," said Kirkus Reviews of Storm Prey. "Razor-sharp dialogue, a tautly controlled pace and enough homicides for a miniseries. What more could fans want?"

A house demolition provides an unpleasant surprise for Minneapolis-the bodies of two girls, wrapped in plastic. It looks like they've been there a long time. Lucas Davenport knows exactly how long.

In 1985, Davenport was a young cop with a reputation for recklessness, and the girls' disappearance was a big deal. His bosses ultimately declared the case closed, but he never agreed with that. Now that he has a chance to investigate it all over again, one thing is becoming increasingly clear: It wasn't just the bodies that were buried. It was the truth.


Some secrets just can't stay buried, in the brilliant new Lucas Davenport thriller from the number-one New York Times- bestselling author.

"One of the best," said Kirkus Reviews of Storm Prey. "R! azor-sharp dialogue, a tautly controlled pace and enough homic! ides for a miniseries. What more could fans want?"

A house demolition provides an unpleasant surprise for Minneapolis-the bodies of two girls, wrapped in plastic. It looks like they've been there a long time. Lucas Davenport knows exactly how long.

In 1985, Davenport was a young cop with a reputation for recklessness, and the girls' disappearance was a big deal. His bosses ultimately declared the case closed, but he never agreed with that. Now that he has a chance to investigate it all over again, one thing is becoming increasingly clear: It wasn't just the bodies that were buried. It was the truth.


James Farentino, Melody Anderson, Robert Englund. When tourists in a small town on the coast start being murdered, the local sheriff uncovers some dark and ugly secrets. But the oddities don't stop there. The people killed become reincarnated as normal, friendly citizens around town. 1981/color/94 min/R/widescreen.Overlooked during its theatrical run but a cu! lt favorite on video, this unique and chilling take on the zombie film finally joins the digital ranks with a two-DVD set from Blue Underground. James Farentino stars as a small-town sheriff who discovers that the victims in a string of grisly murders are reappearing seemingly alive and unharmed. His investigation leads him to suspect that the local mortician (Jack Albertson) is somehow responsible for these reanimated corpses; what Farentino doesn't know is the extent to which the entire town-himself included-is involved. First-time viewers will appreciate director Gary Sherman's attention to pacing and atmosphere, as well as the often darkly humorous script by co-producer Ronald Shusett and Dan O'Bannon (Alien, Total Recall) and the solid cast (which includes future horror star Robert Englund); longtime fans will appreciate the fact that Blue Underground's uncut print restores many of Stan Winston's gruesome special effects. --Paul Gaita
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